bloogg7

Maya with Column, 2008
C-print
55 x 42 inches
Edition of 5
http://www.andrewkreps.com/artists_image.html?i=1676&aid=54&cid=156

http://moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A5030&page_number=17&template_id=1&sort_order=1

Untitled, from Easton Portraits

Judith Joy Ross (American, born 1946)

1988. Gelatin silver printing-out-paper print, 9 5/8 x 7 11/16" (24.5 x 19.6 cm). E.T. Harmax Foundation Fund. © 2010 Judith Joy Ross

224.1989

http://moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A5030&page_number=17&template_id=1&sort_order=1

I chose each of these images since they are both of people loooking directly at the camera

They both have in common that of being women and relativly young. Each could be rather pretty

They dont have in common is that of nudity compared to being in swim suits. That the one on top is a model and the othwers are just young kids posing for a candid shot

Rosenberg is wrong due to the account that images are currently still being used in a different way then was in style the first time the show was released. 

I chose this one since it has a cool design

I chose this one for its subject

I chose this one for informal composition

bloggg

Carpe Diem

Slater Bradley

2009, fiber based print, 60 x 40 inches, edition of three

Exhibited in if we were immortal 2009

http://www.teamgal.com/artworks/610

This applies to my work since it is a picture of someone on the street

Fatimah Tuggar, Spinner and the Spindle, 1995, computer montage (inkjet on vinyl), 20 X 30 inches (courtesy of BintaZarah Studios)

http://www.artpapers.org/feature_articles/feature1_2005_0304.htm

This is like mine since again it is documenting people

Room with a view, 2003, from the series Les Autobiographies, 1/5 english
colour photography and text on aluminium, framed
photograph: 170 x 100 cm (framed), text: 50 x 50 cm (framed

http://artnews.org/sophiecalle/

This islike my own with people in open areas

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Frederick Douglass Self-Defense Manual Series, Infinite Step Escape Technique #1: Hand Seeks Cotton, 2005. Ink and acrylic on chocolate, butter paper, builder’s paper, and craft paper, 43½ x 33½ in. (110.5 x 85.1 cm).

http://www.whitney.org/www/2006biennial/artists.php?artist=Anderson_DJ

Going Upriver: The Long War of John Kerry, 2004. 35mm film, black-and-white and color, sound; 89 min.

http://www.whitney.org/www/2006biennial/artists.php?artist=Butler_George

The Grounding, 2004. Gelatin silver print, 48 x 47½ in. (122 x 121 cm). Collection of the artist; courtesy Casey Kaplan, New York

http://www.whitney.org/www/2006biennial/artists.php?artist=Donnelly_Trisha

In every case of these artists they seem to all have the common thing of documentery

I chose this one for the snap shot quality

I chose this one for the way that the bridge is corroding

I chose this one for its shadows that go along with the background

blog three

Robert Adams
Untitled, Denver
1970-74

© Robert Adams

http://masters-of-photography.com/A/adamsr/adamsr_newworld2.html

Robert adams is in the masters of photograhy section for his comment and documentation of the growing of suburbia into the natural world

Imogen Cunningham
The Dream
1910

http://masters-of-photography.com/C/cunningham/cunningham_dream.html

Cunningham is listed for the use of workmanship on the images and resembles a religous painting.

Dorothea Lange
Ditched, Stalled, and Stranded
San Joaquin Valley, California
Do

http://masters-of-photography.com/L/lange/lange_ditched_stalled_stranded.html

Dorthea Lange is in the masters of photography since her comments on the state of the country and that her images are used to show the state that people were in at the time.

I chose this one since th image is centered around the head of the dog

I chose this onn for the vertical slats the draw the eye upward

I chose this one for its reflection of the sky in a mud puddle.

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Jimmy DeSana (1949-1990), Marker Cones, 1982. Silver dye bleach print. Courtesy the Jimmy DeSana Trust

http://www.whitney.org/Exhibitions/OffTheWallPart1

I chose this one because the way it bends the eye.

Paula McCartney, American Goldfinches, 2008, Courtesy of Klompching Gallery, New York

http://www.mocp.org/exhibitions/2010/07/paula_mccartney.php

I chise this one because I aspire to take a picture like this.

Francesca Woodman, Untitled, Roma, 1977-1978

http://www.photography-now.com/popup_ausst_1.php?id_ausstellungen=T76966

I chose this one for its black and white qualities.

This is one of my own. I chose this because of the dreary day that it was taken.

I chose this one for the bright red and the old style fire Hydrant.

I chose this one since the area I was walking in was a little run down.

Horst P. Horst. Costume for Salvador Dalí's Dream of Venus. 1939. Gelatin silver print, 10 x 7 1/2" (25.4 x 19 cm). The Museum of Modern Art, New York. Gift of James Thrall Soby. © Horst P. Horst/Art + Commerce

http://www.moma.org/visit/calendar/exhibitions/970

This an awesome picture of something I find a little weird
I chose this picture Since my sister would have a fit looking at

Dennis Hopper

Bomb Drop

1967-68/2000

Plexiglas, stainless steel and neon

48 x 123 x 48 in

© The Estate of Dennis Hopper, courtesy of The Estate of Dennis Hopper

http://www.moca.org/museum/imagerotator.php?exid=438&id=1171

Now thats a big wood plane

I chose this picture since I like the design

Zoe Leonard, You see I am here after all, 2008. 
Photo: Bill Jacobson.

http://www.diacenter.org/exhibitions/main/8
Nice multiple image

I chose this one since it is repeats itself and is a waterfall

Blast from the past

I always love old signs like this one

Anyone have a weed whacker

I cose this one since it looks like my first job doing ground maintence

The mountain of success

I chose this one since it symbolizes The work I have had to do to get to where I am today