Sunday, November 28, 2010

week 11


Phil Collins
they shoot horses, 2004
Courtesy Kerlin Gallery
The first section is on the documentry. This image is being proposed as the culture of young adults. This is imaged by the way they hold their stance and the way they are dressed. This documents their point in society and their status.
Also another theory would be that of the commodity. These people are showing off what is being sold in the market place. It shows what is in to be part of society and have some sort of status. The image is that in order to be in society you must buy these clothes.
The final theory would be that of semiotics or how a person reads the image. To analyze tgis particular image it shows the more popular kids. The ones every one wants to be like. This is shown from their non chalant attitude and the way they are leaning against a wall. They try to be superior simply by looking away from the lense and not showing concern for the others around. THeir clothes signify popularity and high status. That of If you want to be like us do as we do.





I chose this one since it is of a bench and yet it is not being used by anyone so it is solitary

I chose this one since it depicts a lazy day where you can go fishing and relax under a tree





I chose this one do to the mysterous nature of what could be in the hole. A snakke or a small mammal

Wednesday, November 17, 2010

week 10

I chose this one considering the attentiveness of the dog as it waits for its master



I chose this one considering its an outside culture with the veiwer looking in



I chose this one do to a different culture and the foods that they eat

Wednesday, November 10, 2010

bloggg


I chose this one for the unique perspective
I chose this one due to the angle and the night setting




I chose this one for the way the light plays across the leaves




Wednesday, November 3, 2010

week 8


Brit cubist in the making? From Ruth Drawing Picasso, Tate Liverpool, 2009
http://www.villagevoice.com/photoGallery/index/1916538/0/
Rineke Dijkstra



Self Portrait #4
2003
pigment print
edition of 7
44 x 54 inches  (111.8 x 137.2 cm)



these images are alike since they both depict the human body as a subject. They both show a young adult at a sitting. They show that of the human body. They are not alike due to the homosexual ideal of the bor with homoerotic sub text. Where as with the girl she is more objectified with the use of her school girl apparal




I chose that one since it has an intresting angle



I chose this one because it looks like the iconic house from amittyville





I chose this since it has intresting pattern through the whole room

Wednesday, October 20, 2010

bloogg7


Maya with Column, 2008
C-print
55 x 42 inches
Edition of 5

http://www.andrewkreps.com/artists_image.html?i=1676&aid=54&cid=156



Untitled, from Easton Portraits

Judith Joy Ross (American, born 1946)

1988. Gelatin silver printing-out-paper print, 9 5/8 x 7 11/16" (24.5 x 19.6 cm). E.T. Harmax Foundation Fund. © 2010 Judith Joy Ross
224.1989

I chose each of these images since they are both of people loooking directly at the camera

They both have in common that of being women and relativly young. Each could be rather pretty
They dont have in common is that of nudity compared to being in swim suits. That the one on top is a model and the othwers are just young kids posing for a candid shot

Rosenberg is wrong due to the account that images are currently still being used in a different way then was in style the first time the show was released. 


I chose this one since it has a cool design
I chose this one for its subject



I chose this one for informal composition

Tuesday, October 12, 2010

bloggg



Carpe Diem
2009, fiber based print, 60 x 40 inches, edition of three
Exhibited in if we were immortal 2009
http://www.teamgal.com/artworks/610
This applies to my work since it is a picture of someone on the street



Fatimah Tuggar, Spinner and the Spindle, 1995, computer montage (inkjet on vinyl), 20 X 30 inches (courtesy of BintaZarah Studios)
http://www.artpapers.org/feature_articles/feature1_2005_0304.htm
This is like mine since again it is documenting people





Room with a view, 2003, from the series Les Autobiographies, 1/5 english
colour photography and text on aluminium, framed
photograph: 170 x 100 cm (framed), text: 50 x 50 cm (framed
http://artnews.org/sophiecalle/

This islike my own with people in open areas

Wednesday, October 6, 2010

blogg


Frederick Douglass Self-Defense Manual Series, Infinite Step Escape Technique #1: Hand Seeks Cotton, 2005. Ink and acrylic on chocolate, butter paper, builder’s paper, and craft paper, 43½ x 33½ in. (110.5 x 85.1 cm).



Going Upriver: The Long War of John Kerry, 2004. 35mm film, black-and-white and color, sound; 89 min.





The Grounding, 2004. Gelatin silver print, 48 x 47½ in. (122 x 121 cm). Collection of the artist; courtesy Casey Kaplan, New York




In every case of these artists they seem to all have the common thing of documentery


I chose this one for the snap shot quality



I chose this one for the way that the bridge is corroding

I chose this one for its shadows that go along with the background

Sunday, September 19, 2010

blog three

Robert Adams
Untitled, Denver
1970-74
© Robert Adams
http://masters-of-photography.com/A/adamsr/adamsr_newworld2.html
Robert adams is in the masters of photograhy section for his comment and documentation of the growing of suburbia into the natural world
Imogen Cunningham
The Dream
1910
http://masters-of-photography.com/C/cunningham/cunningham_dream.html
Cunningham is listed for the use of workmanship on the images and resembles a religous painting.

Dorothea Lange
Ditched, Stalled, and Stranded
San Joaquin Valley, California
Do
http://masters-of-photography.com/L/lange/lange_ditched_stalled_stranded.html
Dorthea Lange is in the masters of photography since her comments on the state of the country and that her images are used to show the state that people were in at the time.
I chose this one since th image is centered around the head of the dog



I chose this onn for the vertical slats the draw the eye upward




I chose this one for its reflection of the sky in a mud puddle.

Tuesday, September 14, 2010

blog2

Jimmy DeSana (1949-1990), Marker Cones, 1982. Silver dye bleach print. Courtesy the Jimmy DeSana Trust
http://www.whitney.org/Exhibitions/OffTheWallPart1
I chose this one because the way it bends the eye.
Paula McCartney, American Goldfinches, 2008, Courtesy of Klompching Gallery, New York
http://www.mocp.org/exhibitions/2010/07/paula_mccartney.php
I chise this one because I aspire to take a picture like this.
Francesca Woodman, Untitled, Roma, 1977-1978
I chose this one for its black and white qualities.

This is one of my own. I chose this because of the dreary day that it was taken.
I chose this one for the bright red and the old style fire Hydrant.
I chose this one since the area I was walking in was a little run down.

Tuesday, August 31, 2010




Horst P. Horst. Costume for Salvador Dalí's Dream of Venus. 1939. Gelatin silver print, 10 x 7 1/2" (25.4 x 19 cm). The Museum of Modern Art, New York. Gift of James Thrall Soby. © Horst P. Horst/Art + Commerce
This an awesome picture of something I find a little weird
I chose this picture Since my sister would have a fit looking at



Dennis Hopper
Bomb Drop
1967-68/2000
Plexiglas, stainless steel and neon
48 x 123 x 48 in
© The Estate of Dennis Hopper, courtesy of The Estate of Dennis Hopper

http://www.moca.org/museum/imagerotator.php?exid=438&id=1171
Now thats a big wood plane
I chose this picture since I like the design







Zoe Leonard, You see I am here after all, 2008. 
Photo: Bill Jacobson.
http://www.diacenter.org/exhibitions/main/8
Nice multiple image

I chose this one since it is repeats itself and is a waterfall

Blast from the past
I always love old signs like this one



Anyone have a weed whacker
I cose this one since it looks like my first job doing ground maintence


The mountain of success
I chose this one since it symbolizes The work I have had to do to get to where I am today