bloogg7

Maya with Column, 2008
C-print
55 x 42 inches
Edition of 5
http://www.andrewkreps.com/artists_image.html?i=1676&aid=54&cid=156

http://moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A5030&page_number=17&template_id=1&sort_order=1

Untitled, from Easton Portraits

Judith Joy Ross (American, born 1946)

1988. Gelatin silver printing-out-paper print, 9 5/8 x 7 11/16" (24.5 x 19.6 cm). E.T. Harmax Foundation Fund. © 2010 Judith Joy Ross

224.1989

http://moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A5030&page_number=17&template_id=1&sort_order=1

I chose each of these images since they are both of people loooking directly at the camera

They both have in common that of being women and relativly young. Each could be rather pretty

They dont have in common is that of nudity compared to being in swim suits. That the one on top is a model and the othwers are just young kids posing for a candid shot

Rosenberg is wrong due to the account that images are currently still being used in a different way then was in style the first time the show was released. 

I chose this one since it has a cool design

I chose this one for its subject

I chose this one for informal composition

bloggg

Carpe Diem

Slater Bradley

2009, fiber based print, 60 x 40 inches, edition of three

Exhibited in if we were immortal 2009

http://www.teamgal.com/artworks/610

This applies to my work since it is a picture of someone on the street

Fatimah Tuggar, Spinner and the Spindle, 1995, computer montage (inkjet on vinyl), 20 X 30 inches (courtesy of BintaZarah Studios)

http://www.artpapers.org/feature_articles/feature1_2005_0304.htm

This is like mine since again it is documenting people

Room with a view, 2003, from the series Les Autobiographies, 1/5 english
colour photography and text on aluminium, framed
photograph: 170 x 100 cm (framed), text: 50 x 50 cm (framed

http://artnews.org/sophiecalle/

This islike my own with people in open areas

blogg

Frederick Douglass Self-Defense Manual Series, Infinite Step Escape Technique #1: Hand Seeks Cotton, 2005. Ink and acrylic on chocolate, butter paper, builder’s paper, and craft paper, 43½ x 33½ in. (110.5 x 85.1 cm).

http://www.whitney.org/www/2006biennial/artists.php?artist=Anderson_DJ

Going Upriver: The Long War of John Kerry, 2004. 35mm film, black-and-white and color, sound; 89 min.

http://www.whitney.org/www/2006biennial/artists.php?artist=Butler_George

The Grounding, 2004. Gelatin silver print, 48 x 47½ in. (122 x 121 cm). Collection of the artist; courtesy Casey Kaplan, New York

http://www.whitney.org/www/2006biennial/artists.php?artist=Donnelly_Trisha

In every case of these artists they seem to all have the common thing of documentery

I chose this one for the snap shot quality

I chose this one for the way that the bridge is corroding

I chose this one for its shadows that go along with the background